Here’s John Mazza’s wrap-up report for the 1999 NOMAD Festival, which was November 5-7, 1999, at the Newtown High School, Newtown, CT.
In 1999, NOMAD again expanded its variety of offerings in both dance and music. For both dancers and music-lovers, it seemed there were just too many interesting and enjoyable things going on all at the same time. Ah, life — always full of hard choices.
On Friday night, Bill Olson, ably assisted by Pam Weeks and Jim Joseph, got things off to a roaring start at the Grand Festival Opening Contradance.
Dance: We increased the international offerings again this year. The two-hour Saturday night International Folk Dance Party featuring A Different Village was festive, almost too well attended, and probably not long enough. English Country Dancers were in their own heaven dancing to Fried DeMetz Herman, Beverly Francis, Gary Roodman and others too numerous to name. The Ted’s Triplets Contra Dance session with Ed Potter was a blast. Stacy Phillips’ talented young fiddle group, the Bethwood Fiddlers, performed and must be seen (and heard) to be believed. Jim Christensen brought Cajun back to NOMAD with with the upbeat rhythms of the Mudpuppies Cajun Dance Band.
Music: A highlight was the two-hour Shanty Blast on Saturday night. New York Packet, the Johnson Girls, Connecticut’s own Shipping News, Lynn Noel, and David Diamond treated us to a rollicking program of shanties, singalongs, and other songs about life on the water. Then, there was the infamous Broken Token workshop. Mike Agranoff performed what surely must be the definitive version of the much parodied story about Johnny’s reunion with his true love (who despite her passionate love somehow fails to recognize him after seven long years). Mike introduced a whole platoon of characters — all played by himself. He identified which characters were singing by donning hats (some borrowed from the audience or workshp participants) associated with the characters. The sight of Mike wearing Caroline Paton’s purple and aqua chapeau… well, you had to be there. On a more serious note, the Spiritual Freedom and Traditional African Songs by Nzinga’s Daughters were awe-inspiring.
There is not enough space here to name all of the hundreds of talented and enthusiastic musicians, dance leaders, and singers who made NOMAD ’99 such an exhilirating experience. We’re gearing up to do it again. November 10 is not that far off!